There are characters in the background of Mary Worth strips that are more important than me.
-Fry, Futurama
The maiden voyage on yesterday's newspapers
-Adam on Mythbusters
Stories and smores by the microwave
-Kayla
Stick with me and you'll be sleeping through caviar!
-The Nanny
Friday, March 25, 2011
Monday, March 21, 2011
Calisthenics: Eliminating Redundancies and Cleaning House
1. The colorless windows stared into the sizzling asphalt.
2. Our Eureka couldn't bring itself to snort your spilled coffee grounds.
3. He sifted the aftertastes of their drinks over the room with his piano.
4. This bird's mango feathers were a much better sight than the holiness of hymn books or the false smiles of housewives.
5. This scotch, he knew, would trickle into his stomach and tip him away from tipsy.
1. The sparrows kept to their business.
2. The sparrow's dusty feathers left me unexcited.
3. Shopping for school supplies sucked the beach trips, loungy days, and tall glasses of something from her eyes.
1. We leaned solemnly on the fence around the flamingos' pond.
2. The shrimp-feathered flamingos scooped into the barrels of algae, skimming off the impossibly thick layer.
3. Each slippery swallow settled in my mind with a happy plop.
1. Daily, the purple martin catches mosquitoes.
2. We now slip their nests into the tree, letting the martins laze into spring without the bother of construction.
3. The razor wings of our martins efface the sky.
2. Our Eureka couldn't bring itself to snort your spilled coffee grounds.
3. He sifted the aftertastes of their drinks over the room with his piano.
4. This bird's mango feathers were a much better sight than the holiness of hymn books or the false smiles of housewives.
5. This scotch, he knew, would trickle into his stomach and tip him away from tipsy.
1. The sparrows kept to their business.
2. The sparrow's dusty feathers left me unexcited.
3. Shopping for school supplies sucked the beach trips, loungy days, and tall glasses of something from her eyes.
1. We leaned solemnly on the fence around the flamingos' pond.
2. The shrimp-feathered flamingos scooped into the barrels of algae, skimming off the impossibly thick layer.
3. Each slippery swallow settled in my mind with a happy plop.
1. Daily, the purple martin catches mosquitoes.
2. We now slip their nests into the tree, letting the martins laze into spring without the bother of construction.
3. The razor wings of our martins efface the sky.
Free Write, March 20
This is an edit of a previous improv:
Grandpa chewed and swished
gray squirrel slowly in
a toothless mouth, sneaking
a mouthful of cheap gin and leaning
against the side of his acid-green Ranger
with a willow switch on the dash
and the dogeared Bible in the glovebox, and I saw
his lips crackle open like thin, boring
paper around a gift: the argyle socks buried
silently under pine leaves.
He was late that year, and we shut out
winter sun with Venetian blinds.
He was driven batshit crazy
by kids and BGH and welding
asbestos, wedding his best toes
to rough boots.
Every lunch, he read Outdoor Life
to learn intimately the glint of dogs' teeth on
Muscovy wings, the depth of walleyes,
the melancholy of fading fawn spots. I would like to fish
for words that rhyme with perch, shoot
pool or photos or for the moon, cast
a reel into the algaed water and pull out
the bass wriggling into a treble clef.
Grandpa chewed and swished
gray squirrel slowly in
a toothless mouth, sneaking
a mouthful of cheap gin and leaning
against the side of his acid-green Ranger
with a willow switch on the dash
and the dogeared Bible in the glovebox, and I saw
his lips crackle open like thin, boring
paper around a gift: the argyle socks buried
silently under pine leaves.
He was late that year, and we shut out
winter sun with Venetian blinds.
He was driven batshit crazy
by kids and BGH and welding
asbestos, wedding his best toes
to rough boots.
Every lunch, he read Outdoor Life
to learn intimately the glint of dogs' teeth on
Muscovy wings, the depth of walleyes,
the melancholy of fading fawn spots. I would like to fish
for words that rhyme with perch, shoot
pool or photos or for the moon, cast
a reel into the algaed water and pull out
the bass wriggling into a treble clef.
Sunday, March 20, 2011
"improv"-ing on Catherine Bowman's "I Want to be Your Shoebox"
I Want to Be Your Shoebox
Memphis Minnie’s classic blues line “I want to be your chauffer” was miscopied in an early Folkways recording song transcription as “I want to be your shoebox.”
I want to be your shoebox
I want to be your Fort Knox
I want to be your equinox
I want to be your paradox
I want to be your pair of socks
I want to be your paradise
I want to be your pack of lies
I want to be your snake eyes
I want to be your Mac with fries
I want to be your moonlit estuary
I want to be your day missing in February
I want to be your floating dock dairy
I want to be your pocket handkerchief
I want to be your mischief
I want to be your slow pitch
I want to be your fable without a moral
Under a table of black elm I want to be your Indiana morel
Casserole. Your drum roll. Your trompe l'oeil
I want to be your biscuits
I want to be your business
I want to be your beeswax
I want to be your milk money
I want to be your Texas Apiary honey
I want to be your Texas. Honey
I want to be your cheap hotel
I want to be your lipstick by Chanel
I want to be your secret passage
All written in Braille. I want to be
All the words you can't spell
I want to be your International
House of Pancakes. I want to be your reel after reel
Of rough takes. I want to be your Ouija board
I want to be your slum-lord. Hell
I want to be your made-to-order smorgasbord
I want to be your autobahn
I want to be your Audubon
I want to be your Chinese bug radical
I want to be your brand new set of radials
I want to be your old-time radio
I want to be your pro and your con
I want to be your Sunday morning ritual
(Demons be gone!) Your constitutional
Your habitual—
I want to be your Tinkertoy
Man, I want to be your best boy
I want to be your chauffeur
I want to be your chauf-
feur, your shofar, I want to be your go for
Your go far, your offer, your counter-offer
your two-by-four
I want to be your out and in door
I want to be your song: daily, nocturnal—
I want to be your nightingale
I want to be your dog's tail
The Other Woman
I want to be the ceiling fan that rattles
above your bedroom while
your wife watches Cheaters in silence.
I want to be your baby
carrot, I want to be the car
that you drive out of Rob's Used Autos.
I'll be your new headlights,
the head lice sorting
your hair into unseen rows.
I want to be a show, a shot,
the pot for your stew, the gum
in gumbo. I want to be okra
buried beneath the fishsticks in
your freezer. I'll be a fall breeze, the bee's
knees all rouged with ragweed
pollen. I'll call in your
prescriptions, favors. I want to. I
want to. I want to be the last
grains of yellow rice, crumbs
of yellow cake that you
will mash in with potatoes,
hoping for a nuclear explosion
that will carry off this whole family
picnic in a mushroom cloud.
I'll be the truffles you dig
for, the music you dug twenty
years ago, your Thirty Years War,
I want to be your armoire,
the half-empty glass of water
on your one nightstand.
Memphis Minnie’s classic blues line “I want to be your chauffer” was miscopied in an early Folkways recording song transcription as “I want to be your shoebox.”
I want to be your shoebox
I want to be your Fort Knox
I want to be your equinox
I want to be your paradox
I want to be your pair of socks
I want to be your paradise
I want to be your pack of lies
I want to be your snake eyes
I want to be your Mac with fries
I want to be your moonlit estuary
I want to be your day missing in February
I want to be your floating dock dairy
I want to be your pocket handkerchief
I want to be your mischief
I want to be your slow pitch
I want to be your fable without a moral
Under a table of black elm I want to be your Indiana morel
Casserole. Your drum roll. Your trompe l'oeil
I want to be your biscuits
I want to be your business
I want to be your beeswax
I want to be your milk money
I want to be your Texas Apiary honey
I want to be your Texas. Honey
I want to be your cheap hotel
I want to be your lipstick by Chanel
I want to be your secret passage
All written in Braille. I want to be
All the words you can't spell
I want to be your International
House of Pancakes. I want to be your reel after reel
Of rough takes. I want to be your Ouija board
I want to be your slum-lord. Hell
I want to be your made-to-order smorgasbord
I want to be your autobahn
I want to be your Audubon
I want to be your Chinese bug radical
I want to be your brand new set of radials
I want to be your old-time radio
I want to be your pro and your con
I want to be your Sunday morning ritual
(Demons be gone!) Your constitutional
Your habitual—
I want to be your Tinkertoy
Man, I want to be your best boy
I want to be your chauffeur
I want to be your chauf-
feur, your shofar, I want to be your go for
Your go far, your offer, your counter-offer
your two-by-four
I want to be your out and in door
I want to be your song: daily, nocturnal—
I want to be your nightingale
I want to be your dog's tail
The Other Woman
I want to be the ceiling fan that rattles
above your bedroom while
your wife watches Cheaters in silence.
I want to be your baby
carrot, I want to be the car
that you drive out of Rob's Used Autos.
I'll be your new headlights,
the head lice sorting
your hair into unseen rows.
I want to be a show, a shot,
the pot for your stew, the gum
in gumbo. I want to be okra
buried beneath the fishsticks in
your freezer. I'll be a fall breeze, the bee's
knees all rouged with ragweed
pollen. I'll call in your
prescriptions, favors. I want to. I
want to. I want to be the last
grains of yellow rice, crumbs
of yellow cake that you
will mash in with potatoes,
hoping for a nuclear explosion
that will carry off this whole family
picnic in a mushroom cloud.
I'll be the truffles you dig
for, the music you dug twenty
years ago, your Thirty Years War,
I want to be your armoire,
the half-empty glass of water
on your one nightstand.
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